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Nova Scotia, maybe?
But that humble debut perhaps excepted in Corbets frame they are rendered hollow, insidiously banal.
A better question would be: what does he achieve through the films disdain?
What is illuminated through its attempted dismantling of the power of a solid bop?
But in the face of all the hot potatoes Corbet has been juggling (9/11!
I want cinema to explorehowthese modern American tragedies mean, beyond exploitative, Paul Greengrassstyle faithful-reenactment fare.
Yes, the poptimists will be mad, but worse, Corbet spoon-feeds them the ammunition to be.
