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Sarahs long fingers flutter and bloom like gestural fireworks, pure manual lyricism.
These twin climaxes have a couple of things in common.
James insists shes just scared, sheltering herself in the persona of the deaf angry person.
Leons direction leans into the plays age as well as its loose plotting.
(The fact that Ridloff is African-American underscores their power dynamic.)
The couples first dinner date feels about as authentic as an Italian-restaurant sketch onSaturday Night Live.
And yet their chemistry is undeniable.
Ridloff is not only a great silent actress but also a fantastic flirt.
(Men who uttered ickyMe Decadepsychobabble like I need to be ingested by you.)
And yet there is power in the untranslated, which of course is the point.
Logistical concerns vanish in the plays best moments.
Children of a Lesser Godis at Studio 54.
