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And now, after 25 years of making and unmaking, a film by Terry Gilliam.
Of coursethe films reputation precedes it Gilliam has had multiple iterations of it collapse over the past two decades.
Even its screening at Cannes wasnot certainuntil the second day of the festival.
Clearly, it cannot, but thats not what sinks it in the end.
But Gilliam has a blindspot, and a pretty untimely one at that.
when Toby first wooed her with his camera.
This is how you tell a woman shes still as beautiful as ever in Gilliams bumblingly misogynistic fun house.
Angelica, it turns out, was also impacted by Tobys production.
When she reveals that she had worked as an escort at one point, the score gasps with lamentation.
