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Here are thebest moviesVulture has reviewed, according to our movie criticsDavid EdelsteinandEmily Yoshida.
And its mightiest warriors are women.
The twin-based body-horror premise (based on a Joyce Carol Oates novel!)
is Freudian to the point of being purposefully reductive, but its sense of eroticism is far more adventurous.
Shes, like, awesome.
The sequence sets the tone.
But his impassivity is volatile we pick up the inner tremors.
ChazellesLa La Landfelt light on its feet, effortless.First Manis purposefully laborious.
The moon was hard earned and so was this stupendous movie.
See it in IMAX for the first panorama of the lunar surface: The silence is exultant.
DE
First ReformedPaul Schraders searching loss-of-faith drama is a late triumph in his long and bravely self-lacerating career.
This is life, Maoz says, in a traumatized, blindly militaristic state.
(The cries of cultural appropriationshouldnt be fully discounted only partially.
Andersons borrowings are loving.
They have an easy tender relationship the actors seem keyed to each others thoughts.
Of all modern feminist directors,Debra Granik(Winters Bone) is the most mournful.
So move on they do.DE
Love After LoveIts swimming with hate, much of it self-hate.
Watching them flaying one another (and bystanders) is a masochistic experience, but not anemptilymasochistic one.
Lius real story is childhood abuse and its frightening legacy.
Though slow, its intense, and youre hooked from its first scene to its last, wrenching image.
If theres a single theme, its the disfiguring effects of terror on the simplest human interactions.
Ambassador Samantha Power, Deputy National Security Adviser Ben Rhodes, and Secretary of State John Kerry.
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The Hate U GiveGeorge Tillman, Jr.s adaptation of Angie Thomas bestselling Y.A.
First, nature seems dominant.
And when was the last time you believed in a teenage romance!
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