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Its normally a pretty solitary process, he says now.

Songwriting camps have convened since the early 90s, when Police manager and I.R.S.
Records chief Miles Copeland invited heavy hitters such as Cher and Squeezes Glenn Tilbrook to his French chateau.
(Father John Misty, Parker, Vernon, Koenig, and other indie-rock stars refused interview requests.)

But people forget that not just Beyonce feels like Beyonce.
The camps arent for everyone.
its a little bit misleading.

All the walls came down, says Brett Williams, who manages Dirty Projectors and other indie acts.
Now its a selling point.
and partied hard (my Friday-night interviews were full of background whooping).

Jade improvised: Im a psychopath.
Class quickly discerned a double meaning about a psychos path.
Mercer fleshed out the melody with Spanish-guitar runs.

I left before they finished, but it sounded like something Ellie Goulding could sing to airy dance rhythms.
The next room I went in had a different ambience.
I could see a half-finished bottle of tequila on top of one of the speakers.

Singer-songwriters Olivia Noelle and Andress shouted the chorus: Im still fucked up from last night!
Andress, 26, was the dominant figure in the room.
They dont have time to experience real life!

I cant even imagine having to be camera-ready all the time and then write a heartfelt song.
I only write for artists who have a good idea of who they are.
Otherwise, I cant help them.

The song sounded like something Kesha might have recited when she had the dollar sign in her name.
At one point, Kirkland seemed to hint at who could sing it: Bangerz!
Thats the reason my dog is named Miley!
After she mentioned the camp, Levin told her: I want to hear the songs.
Writers may not get paid until the song begins to generate money through sales or licensing.
Is it going to cost me 1,000 to send the songwriter to the camp?
asks Kim Frankiewicz, Concords executive vice-president of worldwide creative.
We weigh it all up.
It can be lucrative, but its just a gamble, Williams says.
Typically, our artists would take the lions share of a song 80 percent or more.
But, he says, Economics has never been a super-driving measure of my choices, career-wise.
DrakesNice for Whatand Cardi BsBe Carefullist 16 and 17 writers, respectively.
(Some are not new collaborators but authors of samples in the songs.)
Theres at least three to four to five writers on every song thats out there right now.
The high-end travel is no small perk for a songwriter.)
Theres no real jamming as a songwriter, you know what I mean?
he says from his L.A. home.
This brought a feeling of spontaneity and improvisation to the process.