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The inspiration, he notes, was a Marcel Duchamp self-portrait in silhouette.
The difference between influence and plagiarism is not always clear.
Amazingly (or maybe inevitably) Garfunkels hair is immediately recognizable.
(Same as on the Dylan poster above, by the way.)
The image, of Graumans Chinese Theatre and its concrete sidewalk footprints, was durable and successful.
Angels in America (1993)The defining play of its generation also had a killer poster.
Take off the pop in and it would be staggeringly great, trippy wallpaper.
