Save this article to read it later.
Find this story in your accountsSaved for Latersection.
(Would that work on a poster?

But can Evangeline be trusted?
The improvisations meant to liberate Madeline are starting to push her into crazy-making territory.
Its a coming-of-age film from inside the cat.
Her roiling psyche is in every frame thanks to Ashley Connors camera, which never settles down.
The movie is all jittery swerves and blurry half-close-ups and cuts to lips, eyes, teeth.
The last 15 minutes look as if they were shot with Vaseline over the lens.
(Im not sure that effect works.)