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He seems to have been served a little more of it than a single body ought to contain.
He extols the virtues of rest, self-care, and therapy.
He smiles a lot.
He speaks excitedly about peace, love, and positivity.
Somehow hes already written a science-fiction novel, and he seems to be shopping a screenplay.)
Last yearsEverybodywent for broke and dug deeper than a Logic album ever had.
He spoke at length on struggles hed previously only pondered in scattered lines and verses.
He called out political systems that push disadvantaged communities closer to drugs.
He came on too strong.
Its weird to watch a rapper grapple with his own image in public.
Its a dumb exercise.
Overnight nicks the wonky low end synths of Virginia rapper-singer D.R.A.M.s 2016 single Cute.
Yuck mimics the ominous sample and trap drums of Drakes 0-100/The Catch-Up.
BoomTrap Protocol plays around with the Auto-Tuned, upper-register singing and distinct YAH!
ad-lib popularized by Travis Scott.
Wizard of Oz mixes triplet flows and heavy pitch correcting, like Travis and the Migoss Kelly Price.
Saluting and showing your work is tribute.
TheHuncho Jackcosplay of Contra and the Luda-lite fast raps of Indica Badu are not.
The shakiness of some of the lines on the mixtape accentuate its deficit of original song concepts.
Later, he promises he has more sex in the city than Sarah Jessica Parker.
(First of all, itsSex AND the City.)
When Logic applies himself, sparks fly.
Yuck devolves into a righteous, rude verse for an unspecified hater.
Everyday stops trying so hard and accidentally proves what the rapper is here for.
Its not showy, but its real and relatable.
Its Logic qua Logic.
