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Why cant all upper-crust British period dramas live together in perfect, escapist harmony?
Because frankly, life is less like a Lady Edith and more like a Duke of Windsor.
(We should note that while his affairs are long-rumored, theyre all unsubstantiated.)
Taking such a creative stance when the facts are unknown, Fellowes believes, is harmful to storytelling.
Some of it was extrapolation from a rumor or someones rather prejudiced account.
And then it was presented as fact, and Im not sure thats just.
And in that sense, Im not sure they do.
Hey, but if the royal familylikes it, maybe Morgans in the clear.
