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As with any fall, what results is bruising and chaotic and a significant amount of noise.
Reynolds is graceful and exacting.
Alma is clumsy and clamorous.
He works quietly; she walks heavily, trips, drop things.
He insists on eating breakfast in total silence.
She chews so loudly even the audience starts to grimace.
The sound is as much a part of the story as thecouture, or the characters themselves.
Nothing can take you out of the film, he said.
The noise created by moving fabric can seem like indistinct white noise fuzzy, without a lot of definition.
Each gets its own place in the library.
Were trying to make it as distinctive as possible, Scarabosio said.
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Scarabosio was also charged with establishing character and tone through sound.
Reynoldss officious sister Cyril (Lesley Manville), in contrast, is disruptive and deliberate.
Earlier in the film, every time that she enters, she breaks the moment, Scarabosio said.
And as for how he made that toast-buttering so unbelievably loud?
Scarabosio did his diligent carb research.
We buttered a lot of different toasts, he said.
We tried them all.
The bread that worked best: Plain white toast, he said.
