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The textures are tough but florid, reminiscent of multiple varieties of smoke rings.
Its also unapologetically, poetically synthetic, lacquered like an over-retouched within an inch of its life selfie.
The car isnt hers, nor is the phone.
And if she cant sleep, she makes sure Jill cant sleep either.
Her search takes her from sketchy hotels to Koreatown malls to the winding roads above Griffith Park.
(Its a good place for meetings, Jill notes.
)Mutabilityis a word that kept popping into my head,appropriately enough.
(DeWitt also did the equally evocative but very different score for Alex Ross PerrysGolden Exits.)
Katzs script itself lands somewhere more obvious as far as a commentary on celebrity goes.
