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Its not G-Eazys fault that the most compelling portion of his live show comes when he stops rapping.
But for all his contemporary currency, G-Eazy is a product of an old-school aesthetic.
It was mostly about hard work, and hard work paying off.
One doesnt sell out Radio City easily, after all.
Hes become famous enough to take fame as a primary subject.
A slightly generic, vaguely louche, but nonetheless palpable magnetism hangs about his figure.
Its important not to underestimate his strengths.
On the new album, fame highlights the beautiful, while substance abuse burdens the damned.
There are things, of course, that G-Eazy cant quite access.
