Barry
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Regardless of the work, work is work is work.
Barrygives fair cause for its leading mans reluctance to give himself over to the process.
(How does this make us better actors?
he asks, as he clumsily mirrors a partners movements.)
He doesnt want to be one ofthosepeople.
Hes overcome by guilt, an unfamiliar churning of the gut that he doesnt like one bit.
In the best cases, making art can exorcise the self.
Sally (Sarah Goldberg) evolves into an intriguing quantity over the course of this episode.
But Barry knows hes already put her in danger merely by association.
The final shots confirm this.
Hopefully he wont have to learn too many of them the hard way.
Bullet Points
Henry Winkler continues to own this show.
And as much as it pains me to say it, it is most likely not the last.
Let us enjoy autocorrect humor while we still can.
Somehow, the guys trying to murder our hero also provide the comic relief.
Attention must be paid to Haders outstanding direction in this episode.
Jacques Tati would be proud a show about work that still indulges inPlaytime.
