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Dallas is not afraid of spectacle.
Last weekend was its latest iteration.
Future Worlds dazzled, entertained, and aggravated.
InteamVOIDandYoungkak ChosCirculation, the audience was invited to interact with a pair ofKUKA robotsprogrammed with mischievous personality matrices.
Simon Mullans automobile-powered soundscapecontinuous powerwas another highlight, engaging bewildered audiences.
Its a balancing act to maintain curatorial integrity and conceptual criticality while being accessible and popular.
But what it lacked for overall message it made up for with flash and sensation.
