Arrested Development
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Like a lot of great comedies,Arrested Developmentis only distinguished from being a massive tragedy by its jokes.
But with that relationship on the rocks, the new season has more of a no-hugging, no-learning approach.
The results are far more melancholy, recalling Mitch Hurwitzs work onFlakedas much as they do the original show.
But even by Bluth standards, all the family members are lying to themselves.
Amidst all the mopey men, the shows women turn in some especially vibrant work.
(When people catch on, they either forget or they die!
she tells George Michael with excitement.)
Why are we suddenly seeing so much of Murph, Tobiass inept acting protege?
Why is Stan watching a shoehorn infomercial voiced by Gilbert Gottfried?
Another great Lucille-Michael exchange:
This house is full of painful memories.
Yes, Netflix really did buythe Near Misters Moments domain.
