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I am a die-hard fictional-movie music obsessive whose No.

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This track combines two of my greatest enemies:numbersand Woody Allen apologists.

Unbelievable (dialogue):Whomst is this little RP-accented weasel?

I do not like.

No thank you, Mr. Rez.

Memphis (dialogue):EVERY MENTION OF MR. REZ IS ANNOYING TO ME.

I am too unnerved by this to listen to the song more.

This is thrilling to me.

Too Far Gone:Bored.

How Do You Hear It (dialogue):We love to hear how songwriters work!

Come on,Franklin Shepard Inc.!

I Love You (dialogue):Mmmmmmmmmmmmmm very sweet.

Obsessed with the fact that theGenius lyricsdescribe this as a skit.

SNL!!!!!!!

I Dont Know What Love Is:Its fine.

Vows (dialogue):Tender, nervous Gaga!

Sweetly tuck your hair behind your ears Gaga!

Like … while he was alive?

That feels like grooming to me??????

Sorry!!!!

Trust Me (dialogue):Will always swoon when ahot personasksanother hot persontotrust them.

Anyway, giving me that idea is just about the best thing this song has going for it.

Shangela will play the Emcee in my Cabaret revival with Gaga.

(Willam as Emerald as Fraulein Kost.)

This ticks off all my ASMR boxes and I will listen to it every night.

Soft, slow singing?

Didnt know that relaxed me, but now I do and so do you!

A perfect choice as an intro to Gaga as our 21st century Esther Blodgett/Vicki Lester.

She sounds ethereal and youthful and lovely.

Before I Cry:Any song where crying is a shouted threat is very much up my alley.

Black Eyes:There are many moments on this album in which I would live.

Diggin My Grave:Morbidly sexy with a twang!

Morticia Addams wearing cowboy boots with Gomez in a bolo tie.

Hair Body Face:Remember how I said Why Did You Do That was not a relatable bop?

The first person to mash it up with the Eyes!

section ofRainbow Highfrom Evita will win my undying affection and probably a season ofRuPauls Drag Race.

  1. The OOH-OOH-OOH, OOH-OOH-OOH, OOH, OOH IS ALL GAGA, BABY.

NOBODY DOES A WORDLESS MOMENTUM-BUILDING BRIDGE BETTER.

The slow burn of the start.

The jump up the octave between fear myself and Im off the deep end.

And Cooper does an admirable job of letting her have the focus while offering able support!

That is a lunatic level of adoration and tenderness that I will only accept in a power ballad.

I think the vocal and energetic bipolarity of this song is what makes it so endlessly affecting to me.

at 1:28, somehow simultaneously a passionate supplication and a divulged secret.

I WOULD BE HONORED IF IT WOULD TAKE ME AS I AM.

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